HAPPYNEWYEAR! It’s been a long while since I last posted. So much movement, so much change. Feels like I’ve been on the road for months! End of September I made my return to the motherland. I started out in La Belle Province and rather quickly, circumstances made for me to return to the 6ix. I’ve spent the last couple weeks pushing around furniture and trying to juge my space. Time for new energy flow! I think I’ve found something that works and will live with it a couple weeks.
Monday I start a new gig as a First Hand at the Canadian Opera Company. I’ll be making costumes for their 2022 season. I’m looking forward to putting my new found historical costume making skills to work via this position.
In reflection of the past year, I left England feeling like I truly accomplished everything I set out to do. I finished my studies in York, I managed to squeeze a week long tambour embroidery course just before I left the country and I was lucky enough to maintain my own studio and freelance for the bulk of the year. 2021 has felt long on so many levels. I spent it in 4 different cities and quite frankly, I’m starting the new year exhausted. But I’m hopeful that this year will be one of stability and growth.
Hard to believe that two years have come and went. My time here in the UK is coming to a close and I am squeezing in every last bit of what this city has to offer.
I spent the last couple weeks making a sizeable number of regency era gowns from my studio in South East London. Lots of silk satins and lace! I was so pleased to be applying many of the techniques I mastered in my course in York, as well as using my foundation in garment construction to crank out these dresses methodically. I don’t have many details for the production for which they’ll be featured but once it’s released I will definitely be broadcasting that information.
The other day I had a thought while packing up my flat and studio. It’s funny how endings look a whole lot like beginnings. Empty rooms waiting to be filled resemble that of spaces recently cleared of their possessions. I suppose the only thing that distinguishes them is the feelings they represent for the person leaving or entering the space. While I will miss the studio that has served as a place to house my work and inspiration over the last year, I trust that something wonderful awaits me upon my return. I’m looking forward to reestablishing myself with all the many skills I am bringing back with me.
Next week I will be starting a course in tambour embroidery at Hand & Lock, the very same studio that does embroidery for the Queen. This is a skill I have been wanting to add to my repertoire for many years and I couldn’t be more thrilled to learn it in an atelier with such a notable reputation.
With that I leave you to enjoy yet another rainy day here on this side of the pond. Here is a slideshow of various ongoings from the past couple weeks. Looking forward to seeing all my favourite faces in the very near future! And eating poutine once again….
The last month has flown by! Hard to believe we’re already in August and I’ve been back in London for over a month now. While we’ve had a lot of rain, I’m enjoying the temperate summer that England is best for.
It’s been a slow process sifting through the many days worth of time lapses and documentation of my time at the college. Tonight I had a little window of time and decided to compile the making of my menswear project. For anyone who has ever been interested to find out what goes into the making of a jacket, this is for you! In short it’s a lot of precision cutting and hand sewing. I gotta admit I love me some pad stitching! Tailoring was definitely my most challenging of the course and I am grateful to my teacher Sil Devilly for teaching me the many tricks of the trade with this one. I feel that much more confident around a suit having completed this. A big thanks to my wonderful boyfriend for modeling this creation.
